CA Reviews: Batman Inc. Leviathan Strikes!



Welcome back, Grant. How I’ve missed you! Sure, Snyder and Tomasi and a few others are making some good, maybe even great, Batman stories right now – but this, this is on a whole other level. This reminds me why I consider Grant Morrison’s Batman arc (which really started all the way back in Batman #655) to be the greatest Batman story ever told. The skill Morrison has been weaving this incredible long-con tale with is astounding. Now that we know who Leviathan is, going back and seeing how obvious some of the clues were is a bit embarrassing for me as a reader.

Here we have Leviathan Strikes, though what should have been two or three single issue comics was derailed by the “New 52” and collected (truncated?) into a single volume, arriving after a short hiatus. This of course causes some continuity gaffes, and as such, there is a handy disclaimer to help keep readers oriented: “The events of this issue take place before Flashpoint and the New 52.” Whew, now that that’s all sorted… Anyway, regardless of really showcasing how poorly thought out DC’s Crisis On Infinite Reboots was, what we have here, in this collection, is absolutely great – even divorced from and incongruous with the larger, semantic and arbitrary clusterfuck of current “universe” continuity.

The opening story with Batgirl infiltrating the Leviathan finishing school/death cult was fantastic; filled with the fun, energy and bombastically ridiculous high-concept plotting that all Morrison’s Bat work displays so ably. This whole story makes me really wish Babs hadn’t stepped back into the role in the New 52 book – Stephanie’s adventure here is better than all four issues of the new Batgirl combined so far in my opinion. I mean, she actually seems pretty badass here:

Also – The debut of Professor Pyg’s son is a riot and he’s nearly as creepy as his father – I really want to see a father/son villain team-up in the future from Morrison.

And really, since we now know Leviathan’s true identity, doesn’t this school to train female assassins seem like a big, obvious clue? Either way, the story is well paced, the characterizations are spot on and it was all as comfy as slipping right back into the warm, Batman Inc. bathwater after a short respite.

We also get to meet back up with Morrison’s Batwing, whose current book (written by Judd Winick) doesn’t seem to incorporate any of this into its continuity; we leave Batwing on a cliffhanger, or cloudhanger as it were, as he turns around to notice “Bat wings” closing in on him, obviously Talia’s Ninja Man-Bats. So how did he get from there to fighting Massacre in Africa? Who knows – and more importantly who cares?

Because meanwhile, Batman, Dick-Bats, Red Robin and Robin are all trying to make their way through Netz’s twisted and elaborate Daedalus labyrinth death trap – and things begin to fracture.

We’re presented with Batman on the effects of a mind-eroding gas which causes time, space and his memories themselves to become pliable as Netz lures him deeper into his web for a kill. If you haven’t been paying strict attention to Morrison’s run, this part will be utterly discombobulating – hell, even if you have, if you haven’t re-read them recently (or looked through the handy timeline cheat-sheet in the back of this book) or if you haven’t read through Leviathan Strikes at least twice, you still may be confused. However baffling things may seem though, there is an incredibly strict lucidity here – the kind only Grant Morrison seems able to provide us with.

Back in the story, Netz very nearly succeeds in killing Batman, thankfully Damian comes to his father’s rescue. Speaking of: how heart-wrenching is that look on Damian’s face after he realizes he has broken his father’s biggest rule and attempts a feeble apology.

That single panel made me realize how much I miss Morrison being the writer who brings Damian to life; no one can capture his voice quite like the man who created him.

The re-introduction of Jezebel Jet is jarring and a delightful mini-shock before the grand quake occurs in the next few pages as Morrison finally lets the other shoe drop and reveals the true identity of Leviathan: Talia al Ghul.

Think back, re-read Morrison’s run from the very beginning (Batman #655!) and marvel at all the breadcrumbs that Morrison has been methodically laying down for us over the course of five years and multiple titles. This is the sort of fortitude I wish all comic book writers would bring to the medium, the care and planning which has gone into Morrison’s Batman story just bowls me over every time I think about it and/or joyously re-read it.

Morrison manages to not only tell an incredibly deep, layered and exciting story but he also manages the near-impossible: he makes the old cliché of “Batman has met his match” seem frighteningly sincere.

We can see The Batman breaking down throughout this arc, first through the intense psychological turmoil placed on him by Dr. Hurt and the Black Glove and now through the long-in-progress machinations of Talia/Leviathan. At the time, the Black Glove seemed to really be Batman’s ultimate foe – now however, in realization of the true scope of Talia’s plan, the Black Glove seems hopelessly foolhardy and almost… harmless.

Both have made one common decision between them however, which is, historically, the only avenue anyone has ever been successfully able to take in order to defeat The Batman: that of the mind, attacking him mentally and physically to wear him down so much so that he loses his edge. There has been an indefatigable and ruthless series of near-constant mental attacks on Batman since Morrison came on board to tell this current story. The Black Glove and Leviathan have both made much use of mind-altering drugs to facilitate this unbecoming and the cracks are really starting to show n Batman’s constitution. With the Black Glove Bruce showed extreme confidence and it was us, the readers who doubted the character – now however, the confidence seems to be draining from Bruce – and suddenly, we the readers, are left with the feeling that the character is, for the first time in Morrison’s run, really doubting himself. Look at his face while he pleads with Talia over the phone at the end of this book:

– he’s worried.

Well he should be too – because I’m going to posit a theory here that may be controversial and may in fact spoil the culmination of Morrison’s epic tale. Do not keep reading if you don’t want to listen to my crazy fan speculations!




Still here?

Okay, you see, I’ve been picking up these breadcrumbs and where they lead me is straight to the death of Damian Wayne.

For your consideration: We know Talia has put out an insanely high bounty on Damian’s head, so everyone who has ever tried to kill a superhero will be gunning for the young Robin. Morrison has even stated in interviews that when we read the full Leviathan story we will “cry and cry and cry” (during his panel at SDCC ’11 he said: “Batman: Leviathan is about Bruce and Damian though, and you will cry and cry and cry.”) So what else is more apt to make people cry besides the death of Batman’s son and one of, if not THE, best new character(s) in the DCU?

How about this for the supreme twist though:

In order for Morrison’s story to take on truly tragic proportions Morrison will have Batman himself kill his son. Perhaps under the extreme stress of drug-induced mental collapse and not in control of his facilities Bruce is made to kill Damian. He breaks his one grand rule and he breaks it on his own son.

Tragic, because even if Batman eventually defeats Talia, Leviathan would still win, they would have succeeded in “destroying” The Bat. I would definitely cry.

Either way – I’m just going to enjoy the ride and try to contain my joy when Morrison returns regularly with his Batbook in 2012.




“Batman Inc. Leviathan Strikes” as a stand alone issue gets a final score of Five Out Of Five.

Morrison’s arc as a whole, even unfinished, gets an eleven out of five.

If you’re even remotely interested in Batman you must read Morrison’s run, starting all the way back with Batman #655!

7 responses »

  1. I have mixed feelings on this issue myself. As compelling as I find the story somewhat, I have a gripe with the end revealing that the main bad guy of Leviathan is none other than Talia. Although Talia has always been amoral and shady, this felt very out of character as Morrisson is now portraying her as a female Lex Luthor whose main purpose is just to be over-the-top evil. Also, the scene with Jezebel Jet’s decapitated head and gouged eybeball near the phone felt like nothing more than cheap shock-value. Although Jezebel Jet was never my favorite character and came off as nothing more than a black version of Talia, it would have been more plausible if she had been the head of Leviathan instead as her grudge against Batman and co. is more believable than Talia’s. Not saying it was a bad issue but character-assassination of one of Batman’s main characters and the over-the-top violence doesn’t add much to the quality of the book.

    • Well, to each their own, so don’t think I’m trying to be a jerk here, but here is why I don’t agree with most of what you said:

      – “Although Talia has always been amoral and shady, this felt very out of character as Morrisson is now portraying her as a female Lex Luthor whose main purpose is just to be over-the-top evil.” –

      You must remember, that Morrison has been shaping his version of Talia since the very beginning of his run, in fact, way back in Batman #658, she had his attention after trying to kill him and the prime minister’s wife, so she gave him a very clear ultimatum: ‘Come back to me, start a family with me or I will declare all-out war on you’: Talia declares war

      So from the very start Morrison set her up to become dangerously unhinged, giving her lover one last chance to devote himself to her, or to suffer the consequences… you’ll notice her line about nations being pieces in a game presages the Batman Incorporated initiative. This being the case, I’d say it is precisely within her character to be revealed as Leviathan.

      Also, the bit about Jezebel’s death being “cheap shock value” is something I do not buy either… after all, Talia had a grudge of extreme jealousy building against Jezebel as witnessed in this exchange:Talia builds a grudge

      So that seems entirely plausible and characteristic of Talia to me – not to mention that this is Grant Morrison we’re talking about here, who in about 95% of his work includes some gory death and dismemberment… if you think it is cheap shock value than perhaps you just do not enjoy Morrison’s style.

      Either way though, like I said before; to each his own. I just thought I’d throw my two cents in to further explain why I think this is all very well done and perfectly in character for the story Morrison is telling. Thanks for reading!

  2. Ok, so if I was planning to read what is possibly the greatest Batman story ever told, could someone give me a list of batman issues/trades to acquire to piece this story together myself? I’ve got Batman & Son already, but others (preferably in read order) would be amazing. Cheers

    • Batman and Son
      Batman: The Black Glove
      Batman RIP
      (Final Crisis – optional)
      Time and the Batman
      Batman and Robin: Batman Reborn
      Batman and Robin: Batman vs Robin
      Batman and Robin Must Die

      Those are all trades^^^
      Batman Inc. Issues 1-8, and this very issue reviewed here.

      • Oh shit, sorry – I just edited your comment by mistake. I took out your parenthetical aside for the “Time and the Batman” trade and now I don’t remember what was there originally!


    • DO IT!

      Andrew has the trades listed, but separate issue numbers would be:

      Batman #655-#658, #663-#675

      DC Universe #0 (prelude to Batman R.I.P. section by Morrison)

      Batman #676-#683, #700-#702

      Final Crisis comes here, if you really want to get into that can of worms – not necessary to really understand the R.I.P. arc overall – just know that SPOILER!!

      Darkseid “kills” Bruce and sends him skipping through time
      which leads into:

      The Return of Bruce Wayne #1-#6 – these books’ take place concurrently throughout the events of:

      Batman and Robin #1-#16

      Batman: the Return #1(one-shot)

      Then we get into:

      Batman Inc #1-#8

      Also: Here is an Amazon list with all the trades listed.


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